/* prism lime neon night — prism gold night's graphite with a neon lime accent. Same
   ground, same panels, one hue moved: gold is warm and quiet, lime is cold and
   loud, and on this graphite it is the brightest accent the family has (10.9:1 on
   a panel). One deliberate difference from its gold twin: --t-qa was the lime dot,
   so it moves to cyan — a type mark that reads as "the accent" stops encoding
   anything.
   THE LAW: DARK EMITS. */
:root[data-theme="prism-lime-neon-night"]{
  color-scheme:dark;

  --bg:#16181c;
  --surface:#1f2227;
  --panel:#282c33;
  --panel-2:#343941;
  --field:#16181c;
  --rail:rgba(10,11,13,.5);

  --ink:#eceee6;
  --ink-dim:#b4b8a9;
  --ink-dimmer:#93978c;

  --accent:#c9f24a;
  --accent-hi:#dcff7a;
  --accent-lo:#7d9433;
  --on-accent:#16200a;

  --red:#e8604c;
  --red-ink:#ffb3a5;
  --green:#3fd39a;
  --green-ink:#7ceec0;

  /* the dark spectrum: bright marks, closest pair 81 apart (mnemodo dark: 41).
     --t-qa is cyan here, not the lime it is in prism gold night — see the header */
  --t-source:#b9cccf; --t-atomic:#7fb0ff; --t-qa:#35c8f0;
  --t-claim:#ff8a5c;  --t-summary:#ffd166; --t-pattern:#c39bff;
  --t-finding:#ff7ab8;
  --atomic-ink:#9cc3ff;
  --pattern-ink:#d3b6ff;

  --accent-rgb:201,242,74;
  --deep-rgb:10,11,13;
  --panel-rgb:40,44,51;
  --panel2-rgb:31,34,39;
  --red-rgb:232,96,76;
  --green-rgb:63,211,154;
  --claim-rgb:255,138,92;
  --atomic-rgb:127,176,255;
  --pattern-rgb:195,155,255;
  --shadow-rgb:0,0,0;
  --sheen-rgb:255,255,255;
  --ink-dimmer-rgb:147,151,140;

  --line:rgba(201,242,74,.18);
  --line-soft:rgba(201,242,74,.10);
  --rust:#d98a62;
  --hm1:#2b3319; --hm2:#586a24; --hm3:#9cba3f; --hm4:#d6f08a;
  --s-ignored:#6e7075;
  /* An aurora in the upper right, not a lamp: the neon arrives in the corner the
     utility cluster sits in, cools through green to a trace of teal as it crosses
     the page, and is gone by the left edge. On the two FIXED layers (see
     cockpit.css) rather than --lamp, which is painted on the body and therefore
     sized to the document — on a long page its top slice collapses.
     Alphas are half the light half's, and the corner bloom is the SMALLEST of the
     three rather than the widest: on graphite a wide neon field turns the whole
     upper page into a light source. Kept tight and high, it is a colour arriving
     in the corner — which is the elegant version of the same idea. */
  --lamp:none;   /* painted on the fixed layer instead — see --lamp-fixed */
  --lamp-fixed:
    radial-gradient(78vw 62vh at 108% -6%,rgba(201,242,74,.22),transparent 66%),
    radial-gradient(96vw 70vh at 84% -14%,rgba(150,220,110,.11),transparent 64%),
    radial-gradient(95vw 66vh at 52% -22%,rgba(80,180,150,.06),transparent 60%);
  /* …and the half that moves: two soft blooms, meant to be noticed after a minute
     rather than watched. Its own layer because it animates TRANSFORM only. */
  --lamp-drift:
    radial-gradient(72vw 56vh at 100% 0%,rgba(201,242,74,.10),transparent 62%),
    radial-gradient(84vw 58vh at 66% 2%,rgba(110,200,150,.05),transparent 62%);
  --lift:0 8px 26px -10px rgba(0,0,0,.62);
  --veil:rgba(14,16,18,.58);
  --dial-on:rgba(201,242,74,.18);
  --graph-bg:#111316;
  --graph-veil:rgba(22,24,28,.72);

  --panel-lift:0 10px 28px -16px rgba(0,0,0,.52);
  /* see lagoon-night: an edge, not a light source (1.9-4.1:1 on the panel) */
  --card-flow:linear-gradient(90deg,#5c6d24 0%,#7d9433 52%,#47551b 100%);

  --attn-ink:#eceee6; --attn-rgb:250,150,60; --attn-bed:.13; --attn-bd:.70;
}